Adventures of Dino Riki (NES)

Vertical
Checkpoints OFF/ON
1 Difficulty level
4 Stages (loopable)
Ship speed by icons
- - - - - - -
Developed by Hudson Soft
Published by Hudson Soft in 1989

Life isn't easy when you're a kid living among dinosaurs and other extinct prehistoric creatures. The environment is damp, treacherous, at times arid and dry, but mostly desolate and lacking in coconuts to quench one's thirst. And if we're speaking of an NES video game, leave it to Hudson Soft to present an adventure built around this premise, starring a boy in a neverending quest to keep his wastelands in peace. The style chosen is that of a pedestrian vertical shooter, and a particularly amusing one if you ask my opinion. Note: The Japanese version came out two years earlier under the name Shin Jinrui - The New Type.

By taking control of Dino Riki, the unsung child hero of the game, players must initially face three stages filled with tough perils across a swamp area, a ruined desertic level and a fossil-laden mountain. For the 4th stage these themes return in shorter but harder versions along with a boss rush, with the last section based off the desert theme and ending with a monster fly as the ultimate final boss. The challenge is designed to put not only our shmupping dexterity to the test, but also our platforming skills. After all, in Adventures of Dino Riki jumping is as close to flying as honey is close to the beehive, and dealing with it is essential to surf a smooth learning curve, only with a little twist that might easily be taken for granted if players don't pay attention (read on).

Dude, where's my pair of wings?

(courtesy of YouTube user EightBitHD)

Controls work with shot in button A and jump in button B. A very unusual input in a true scrolling shooter, the jump is there to allow Riki to reach platforms and get to the other side of lakes and ravines, as well as to avoid quicksand traps. Jumping other things such as bullets isn't encouraged at all, it will only register as a hit. Even though the game is checkpoint-based, Riki can take some damage before dying due to the health meter mechanic. The only way to bite the dust instantly is by falling into water, falling off a cliff, getting swallowed by quicksand, getting fried by giant flames or being rammed by skeleton lizards.

In each level a characteristic ground block holds the items Riki needs to increase his chances at succeeding in his mission. These include boots (speed-up), heart (adds one more point to the health meter), meat-on-a-bone (recovers health), fist (power-up), diamonds (extra points) and star (a smart bomb that clears the screen of enemies). There are also hidden items uncovered if you shoot at their specific spots, and these can be either the bird, which grows a pair of wings on Riki's back and allows him to fly, or "macho Riki", an item that turns the character into an angrier version of himself who throws his own image at the enemies.

9 out of 10 people are sure to curse Adventures of Dino Riki due to its jump mechanic, which can very early on ruin their perception of the game. Granted, it's not easy to quickly get the timing right to land on those platforms or water-lilies under the pressure of the scrolling effect or the fact that you must move with them or you'll fall and die. There is, however, a nice little way to circumvent that during 95% of the game: the bird item mentioned above. Every single section bar a few short areas in the final level has a hidden bird for you to find and use to fly, so just take it, press the jump button once and only let it go if you want to land. Of course getting hit will trump you down and outright kill you if you're flying over a ravine or a water pond, but that's just another aspect of what makes the gameplay in this charming little title so unique.

Boots and skulls

Since every hit degrades Riki's power and speed by one level, powering up to the fullest requires picking up three fists without getting hit. From those weak starting rocks our hero progresses to axes, boomerangs and torches. Even though the boomerangs aren't that bad, carrying the torch makes the game considerably easier so do your best to keep it at all times (one important thing to have in mind is that to better enjoy Adventures of Dino Riki you need a turbo controller – mashing buttons becomes extremely tiresome especially when you're not fully powered). Avoiding hits is also the secret to gain extra lives because all it takes is to continue collecting successive diamonds without receiving damage. According to the instruction manual you need six in a row, but most of the time it takes a little more than that.

A brief observation about the scoring system: if Riki is fully powered subsequent fist icons work like the star, wiping out all enemies on screen; however, in the same vein of the grey capsules in Gradius, all enemies killed in this manner won't give you any points.

I often don't dabble about endings in shmups, but the absolute lack of even a THE END panel in this game kinda hurts the lovely atmosphere of the package. Though humble in textures, the graphics and the enemy gallery are totally in tune with the prehistoric motif, along with nice music, fair hit detection (narrow platform thresholds notwithstanding) and great use of color (blue, yellow and green define the levels). The gameplay is based off characterisc enemy waves that succeed each other in a fixed order, as in a very relaxed variation of Star Force. In the long run that favors memorization, but regardless of your muscle memory capabilities the final stage of Dino Riki is no pushover, demanding quite a bit of effort to be conquered. And when the monster fly goes down the game just starts anew, with no reward whatsoever besides the realization Riki is doomed to forever patrol those barren landscapes.

When I beat the game years ago I did it with no autofire, but this time around I used a turbo controller and I shamelessly admit I had more fun now. My new high score got a boost of 70% as I died my last life in the 2nd section of stage 3-4. Further loops come with a slightly higher bullet count and more resilient enemies; this last incremental change is what makes getting back up increasingly more difficult when you die.

Baltron (NES)

Horizontal
Checkpoints ON
1 Difficulty level
1 Stage (loopable)
Ship speed by icons
- - - - - - -
Developed by Toei Animation
Published by Toei Animation in 1986

There are a few things that don’t quite work in Baltron, but you can’t say Toei Animation didn’t try to add value to this obscure, humble shooter which only saw release in Japan. There is a cinematic opening inspired by Star Wars, complete with a scrolling text explaining the motives behind a desperate attempt at stopping villain aliens from conquering a pacific planet. On the gameplay front there is a healthy batch of inspiration drawn from arcade classics such as Defender, Scramble and Asteroids, all of which supposedly serve to spice up the action in the single long stage that comprises the whole game.

Truth be told, if you count the exit of the cave as a stage delimiter then you have seven levels seamlessly connected by non-stop action. Since the scenery doesn’t change much during half the game and there's only one final boss at the end of the stretch many people consider Baltron to be made of a unique long, loopable stage. It's kinda like Scramble itself or Transbot on the Sega Master System, only without a stage map or any strong visual identity.

To warp or not to warp?

For a game that's so simple there's surely a lot of information on screen. Up in the middle is the Defender-like scope radar that shows the threats that sneak ahead of you, which of course doesn't do much to help unless you're flying slowly. The closest you are to the right the fastest the scrolling will be, so if you lean against the left border of the screen things will pass by very slowly. While that certainly helps you survive in the beginning, it soon becomes impractical due to two factors: fuel depletion and enemies dangerously coming from behind.

Button A is responsible for firing the single shot and the air-to-ground bombs, whereas button B must be used in conjunction with the directionals to have any effect on the gameplay. When pressed with ↑ you unleash a "flash" that clears the screen of enemies, when pressed with ↓ you activate an Asteroids-like warp to skip a small portion of the level, and if used with ← and → you change the flying direction. Switching flying direction can be done at will, but the flash and the warp consume some energy and can only be used if the fuel reserve is above some markers. The limit for flash is the red marker and for warp the white marker, but you can also watch for their specific indications in the opposite side of the score counter in the HUD.

While interesting on paper, the execution of the special moves/attacks with button B is as failed as the game's attempt at emulating the gameplay of Defender. Firstly, there's no reason at all to fly left in Baltron. Secondly, the warp command is two times annoying, first because at the beginning you're prone to doing it by accident, and second because after the warp you might return in solid matter and die instantly (never use it inside the caves!).

Getting through the stages in Baltron is strangely addictive despite the bare bones nature of the gameplay. Once you learn there's only one point where it's possible to completely reload the fuel reserve this detail becomes less worrysome. Each level consists of two halves: an open area where you'll allowed to fly everywhere and a cave with varying degrees of obstacles. With the exception of one stage (4th), right before the entrance of the cave there's a pipe coming out of the ground that spews a blue canister that completely refills the fuel reserve. If you don't destroy the pipe and wait a little it will also release a yellow canister that gives temporary invincibility. The problem with these items is that they can be destroyed by your own shots, so watch out for that whenever you are low on fuel. Also don't forget that the same happens with the fluffy panda that's worth an extra life.

Star Lenion × the Bismark Empire

(courtesy of YouTube user FamicomGuide)

The incremental addition of one or two new enemies in every level is what gives Baltron its rudimentary sense of variety. Besides the omnipresent minuscule tie-fighter lookalike (Star Wars!), the bad guys also send creatures that look like paper darts, medusas and lice amongst homing saucers and invincible Capcom yasichis that reflect all shots and mean instant death if you stand still in front of them. Energy barriers fade if you manage to destroy one of their tips, and some ground/ceiling turrets seem to jam when they start blinking, so take your shot at them if this happens. All flying enemies are able to go through walls, therefore don't expect to be safe at any moment inside the caves.

Since everything about your firepower is designed around the pea shooter, as long as the player has a turbo controller at hand the complete absence of power-ups doesn't bother at all. The music is as monotonous as it gets, but when engulfed by the bleeps of the sound effects it kinda fades into the background, as does the initial lethargy the more you play the game and avoid using the B button except for the flash attack – which is when Baltron starts showing a little bit of fun. During my time with it I tried to discover if there were secrets related to some weird appearances here and there, such as a dinosaur-like creature that pops up out of nowhere, the toad in a bubble that floats halfway in stage 4 and a funny face inside a spike in the later levels. I had no success whatsoever with these strange sightings, and urge the reader to leave a comment if there's anything to be added in this regard. :)

In my best run I was able to reach the beginning of the third loop with the high score shown below. Apparently each new loop comes with a color palette swap and more aggressive enemies.