Friday, September 21, 2018

Jikkyou Oshaberi Parodius (SNES)

Horizontal
Checkpoints ON
7 Difficulty levels
8 Stages (loopable)
Ship speed by icons
- - - - - - -
Developed by Konami
Published by Konami in 1995


And here we come to the 4th chapter in the Parodius saga, the spin-off series that at this point mocks much, much more than its original inspiration Gradius. Jikkyou Oshaberi Parodius continues one of the longest lived dinasties of video game wack and brings the franchise back to its living room roots, after all the series was born on the MSX and continued in the arcades for two chapters before this comeback developed exclusively for video game consoles; since it was released in the end of the Super Famicom's lifespan, one year later Konami was kind enough to also deliver enhanced ports for the Playstation and the Sega Saturn. How interesting, huh?

Jikkyou (or Jikkyō) succeeds Gokujou Parodius and keeps the great quality standard that's so typical of 16-bit Konami, only with a defining difference: the abundance of comical voice snippets provided by a famous Japanese narrator, which was made possible by a special chip included in the cartridge (the "super accelerator" SA-1 chip). That's where the title of the game comes from, after all Jikkyou Oshaberi Parodius translates to something like Chatting Parodius Live!. Another important feature is that now players can choose any of the 16 available characters instead of being restricted to the ones associated to the player sides. In addition to that, this time many sibling characters received completely different powers, such as babies Upa/Rupa and matchstick men Soitsu/Doitsu. The latter, for example, has a Vic Viper-like behavior that's quite distinct from original Koitsu/Aitsu. Once again there's no co-op available, only an alternating 2-player mode.

Many people have told me they were upset by the constant babbling of the narrator during gameplay, but it didn't bother me at all. It's possible to shut him up in the options by switching "oshaberi" to OFF though. The options screen is the second-to-last after you press START, and fortunately everything in it is in English. The main game is started in the first option, and despite the Japanese description all other options can be easily figured out. It's kinda puzzling that the main game hub was left in Japanese while almost everything else is in English.

Choose your might!

Nothing has changed in the basic way characters play in this new episode of the franchise. It's all Gradius gameplay 101 again: collect colored capsules to light up the slots in a weapon array and activate the desired slot to obtain the respective upgrade. Speed-up and missiles are the only untouched staples, along with the default power trap that's a Parodius trademark (a.k.a. one of the worst "upgrades" ever in shmup history). Following the trend started in GokujouJikkyou Oshaberi Parodius deviates from the norm in the other available upgrades, namely two types of firepower (originally double and laser in pure Gradius moniker), power enhancer (originally options/multiples) and shield, which for some characters was turned into a smart bomb.

Controls are fully customizable, and my setup of choice was Y for shot and missile, R for power-up and L for bell power. Oh yes, bells, you can't talk about Parodius without juggling some! They are as much a link to the TwinBee games as a full-on passport to survival refreshments and higher scores. Once released you can shoot them to change their colors and get blue (powerful bomb), green (inflate + invincibility), white (straight shot made of random messages in kanji, blocks bullets) brown (three vertical energy bars) and yellow. Yellow bells increase in value as long as you don't lose any of them, maxing out at 10.000 points each. Since the purple bell introduced in Gokujou Parodius is gone, Konami came up with a new extra gimmick in Jikkyou, the hidden fairies worth 10.000 points each. They are freed for immediate pick-up if you shoot at their secret spots, which are often located in unsuspected corners as the stages unfold.

Checkpoints are mandatory regardless of your selection of the upgrade scheme, whether it's auto or manual power-up mode (upper/lower options after you choose the character). Since the differences in character behavior are more pronounced this time around, trusting the auto power-up mode might be a good idea to get to know all of them faster. A very welcome addition to the general power-up scheme is the giant capsule that performs the same function of the roulette. They are often strategically positioned so that you can cut corners when upgrading the character.

That's the way I like it!?
(courtesy of YouTube user Salvatore Forenza)

Even though I liked the stage themes chosen by Konami in Jikkyou Oshaberi Parodius, I couldn't help but feel that the company didn't really push the series into new grounds as they did with the previous chapters. Was it the console format, I wonder? Of course there's still the customary abundance of colors and throwbacks to other Konami titles with cute and nonsensical details everywhere. However, the reappearance of many enemy designs from Gokujou (most apparent in the pre-stage sections and in a few boss choices) lowered the bar a little in my opinion. The new level layouts mocking games like Tokimeki Memorial, Xexex, Legend of the Mystical Ninja and Lethal Enforcers are welcome additions for variety but come on, did we really need another dancing panda as the first level boss?

I read everywhere that the SA-1 accelerator chip was reponsible for special feats in this game, such as the /enhanced/ graphics of the stage based on the bubble area of Xexex. Perhaps they're referring to the occasional spinning blocks, but quite frankly I didn't see anything there that couldn't be achieved in a regular cartridge. Much more impressive and useful is the ability to save high scores by character and difficulty, as well as "save" the game to start it again later (pause and press SELECT). Granted, it resets the score as you "load" the saved stage, but it's a nice resource nonetheless. Loop + stage select is also available but must be unlocked first by performing a few achievements such as beating the game or collecting all fairies.

By the time Jikkyou Oshaberi Parodius reaches the end it returns to its roots by mimicking none other than arcade Gradius III, complete with a short boss rush level prior to a multistructured final stage that mirrors some of the sections of that game's final area. Since it was developed specifically for the Super Famicom, Jikkyou does not pack the same difficulty of its predecessors (even Super Famicom Gokujou), mainly due to the amount of slowdown and the kind extend scheme that grants an extra life with 20.000 points and further ones for every 100.000 points scored. Fortunately extra lives stop coming once you reach one million points, which leaves the player with the challenge of making the best out of them as the second loop starts with more bullets and even more slowdown, depending on the chosen character of course.

Thanks to my baby girl handling me the cartridge the day I took it off the package, Rupa was my character of choice during most of the time I spent with the game. A very powerful character, Rupa creates an all-around wall when her powers are maxed out, the only downside is that she lacks a shield. Once I looped the game with her a couple of times I switched to Soitsu, admittedly the best character to uncover fairies and juggle them bells for higher scores. The final score below was achieved with Soitsu on default settings (diff. 4, auto shot ON, roulette ON, oshaberi ON) and manual power-up mode, reaching stage 2-5. Next time I'll try one of the 32-bit ports (Playstation or Saturn) to check the improvements made by Konami.


Monday, September 10, 2018

Daisenpu Custom (PC Engine CD)

Vertical
Checkpoints ON
3 Difficulty levels
7 Stages (loopable)
Ship speed fixed
- - - - - - -
Developed by Nec Avenue / Toaplan
Published by Nec Avenue
 in 1991

It's hard to picture it these days, but back in the 90s some games were definitely a product of the general infatuation with new storage media, more specifically the compact disc. The widespread love for the CD was such that the expectation created by the video game add-ons allowed companies to market them as a true revolution in 16-bit console gaming.  The main reasoning for that was better audio and the addition of fully animated sequences plus crystal clear voice-overs, improvements that often warranted re-releases of cartridge games in CD format.

However, most CD versions of 16-bit cartridge or HuCard games didn't really need to exist. With a few exceptions that either expanded the original game (such as Super Raiden) or fully embraced the capabilities of the new media (such as Spider-Man and Batman Returns for the Sega CD), the majority of the upgraded titles offered very little extra content except for the presumed CD audio quality. And even this audio upgrade can be a debatable issue. So the question we ask ourselves today is: did games like Daisenpu Custom really need to exist?

Daisenpu had been out for a year already. A port of one of the least famous Toaplan vertical shooters, it wasn't a standout in any way, yet someone inside Nec Avenue thought that the PC Engine library needed a CD version of it.

Boss duo in stage 4

The basic gameplay is unchanged from HuCard Daisenpu. Button II shoots with no autofire (get a turbo controller!) and button I summons a helper squadron of 6 planes. The mission is to slowly raid land and sea to eliminate nazi tanks/boats/turrets in a world war setting of methodical progression, in a shooting adventure that never picks up the pace. Each plane in the helper squadron flies and shoots alongside the player, plummeting towards the closest enemy once hit. If you press button I once they are in position they will all perform a kamikaze attack as if they were hit. By quickly tapping this button before the squadron is in place after the initial summoning you get a bomb blast that sacrifices all planes in a huge explosion that nullifies incoming enemy bullets.

Upgrades are obtained by destroying color-coded trucks and picking up the items. There's the quintessential power-up (orange), extra helper squadron (white) and extra life (blue). Green trucks are all bogus and don't give out anything. You can't see your score while you play (not even by pausing the game), but an extend routine is in place to grant you more extra lives seemingly at every 100.000 points, an interval that's extended once you reach 300.000 points.

In the world of Daisenpu / Daisenpu Custom all the enemy will ever see is the player's plane. Every single aimed shot or aimed bullet spread will target the player, which means you can always draw enemy fire away from your squadron while they fly peacefully and do their job. Managing to do that and keeping clever angles as you dodge is one of the tricks to survive longer. When facing a bigger enemy, such as one of the bosses, there are times when it's best to bomb than to risk dodging the overlapping patterns. Each new life comes with two full squadrons, which should be okay to handle any boss checkpoint.


Entering the forest, Custom-style
(courtesy of YouTube user Old Games Database)

What's actually different in this CD version, one might ask? I would say the main difference is its clear division into separate stages. In the original Daisenpu the game unfolded with no stops whatsoever, with music change being the only indicator of level progression. The four original areas were expanded to seven complete levels in Daisenpu Custom. Graphical assets were rearranged, some large enemies were promoted to bosses and most stages were split in two, in a customization job that doesn't do anything wrong but somehow lacks the cohesion of the original. An example of a botched part is the start of the 6th stage, which puts the player directly into the frying pan with enemies from all sides.

There was no attempt by the developer to steer away from the game's original concept of having absolutely no aerial enemies, which is good. The final level is still familiar terrain but brings a more powerful type of tank that's exclusive to this version. Unfortunately the original military-themed music received a flamboyant synth-based makeover that doesn't always gel with the slow paced action; it's as if the soundtrack to one of those cheap war movies made by the Cannon Group in the 80s had been slapped onto the game itself. That would’ve been nice if only Chuck Norris or Michael Dudikoff had also been included in nice animated cut scenes, but alas! Daisenpu Custom didn't receive any special treatment in that regard.

While the game isn't essentially better or worse than its original mold, the shortage of new material and the minimal changes made for Daisenpu Custom are barely enough to qualify it as an expensive arrange version. After all it came out in a separate CD during an era when arrange modes were a rare treat in console gaming. The few ones that got it right appeared for the competition instead, as seen in Slap Fight and Grind Stormer.

The best 1CC score I got on the game is below, playing on Normal and reaching stage 2-7. Enemies fire more frequently in the second loop. Medium-sized boats coming from behind even fire as they become visible, so don't hug the bottom of the screen if you don't want to lose a precious life there.


Tuesday, September 4, 2018

Neo XYX (Neo Geo)

Vertical
Checkpoints OFF
1 Difficulty level
6 Stages
Ship speed fixed
- - - - - - -
Developed by NG:Dev.Team
Published by NG:Dev.Team in 2014


One could say influences go a long way in defining your body of work, most importantly in projects of such creative nature as video games. You can't really reinvent the wheel, but it's always possible to try and adorn it with all sorts of different things. Neo XYX (or Neo Zaikusu in Japanese spelling) is very much an example of that, a love letter to the visual style of developer Toaplan, to the bullet curtains made popular by Cave and to the scoring systems devised by Raizing. Originally "cooked" in the MVS format, soon the game received ports of version 1.3 on the Dreamcast and the Neo Geo AES, which was my platform of choice for a first contact (I'll leave the Dreamcast version for a future opportunity since it's supposedly riddled with bugs).

Neo XYX has the honor of being the first TATE shooter released for the Neo Geo. Though quite an achievement in itself, this feature must be seen with caution by players who can't rotate their TV. Since the Neo Geo is a platform with natural 4:3 aspect ratio, it's not possible to play the game in true YOKO. What you get on a horizontally-aligned TV is rotated controls, a rotated HUD and some rotated items, which for a vertical shooter doesn't make sense at all (just as an example, a similar screen setting exists in Donpachi for the Sega Saturn). The practical result is that this version of Neo XYX is only viable for people who can turn their TVs on the side for that warm fuzzy feeling of emulating a vertical arcade cabinet in the comfort of their gaming/living rooms.

An initial itch also bugged me as soon as I switched on the catridge for the first time. The game starts running in that faux-horizontal mode with no options at all to switch it to TATE. Not even the instruction manual has useful information on this! I had to do some online research to discover that in order to boot it in TATE you must press A when turning on the console. If the game is already running in hori mode you need to start a credit, pause and hold A + SELECT until you hear a sound cue.

Would you say that's a silly oversight or just a sign of a rushed porting job? I'll stick to the latter.

Wait, did I just lose something back there?

Following an intro with several full screen panels showing what seems to be the destruction of a planet/moon by an alien space fleet and a female pilot departing for battle, Neo XYX presents a quick skippable tutorial and then throws the player directly into the action. Button A fires, button B triggers a bomb and button C reduces ship speed while narrowing and slightly increasing firepower if A is pressed. This control scheme is a little weird up front, but it's not that bad after a while; in fact it's very similar to the one used in most Cave games if you never let go of the A button.

An interesting aspect of the gameplay in Neo XYX is the complete absence of power-ups, but that doesn't mean you won't be picking up items along the way. Player focus gets totally shifted towards multiplier medals, gold tokens and bomb refills, a design decision that strongly emphasizes playing for score instead of survival. Medals appear at regular intervals from small destroyed enemies (big ones do not release medals) and increase in value from I to XIX (1 to 19) only if no other medal is on screen at the time (if there's an uncollected medal the next one will be spawned with the same value). Those gold tokens increase in size and a huge score boost is expected if you reach the XIX value and manage to not let any further XIX medal fall off the screen. On the other hand, a single lost medal sends its value back to I as the ship displays a fUCK! speech balloon (!).

The last item pick-up is the bomb, which might appear in two sizes. The big one adds an extra bomb to the bomb stock, the smaller ones fill up a bomb buffer and yield a full extra bomb once seven of them are collected. The bomb has a tiger-like aspect that sweeps upwards and does a little bit more than serving as homage to Toaplan, damaging enemies and shielding the player: it pushes all medals up, which is extremely useful to recover medals that would otherwise be lost because you couldn't reach them. Bomb items have to be flown over to be effectively picked up, but medals and gold are automatically sucked into the ship if you get close enough to them. Score chasers shouldn't take too long to collect the gold tokens though, they all disappear after a brief while.


My 1CC on Neo XYX, Normal mode
-- played on TATE, rotated for proper display --

For a company with such a long history of dedication to both the genre and the Neo Geo, NG:Dev.Team certainly had their share of previous expertise when developing Neo XYX. That's why this game is remarkably fun despite a few minor setbacks. Take the abnormally high difficulty level of the first stage, for example. It's not in the same league of Last Hope (at least while you're not trying to boost medal value from the get-go), but the overall sense of rush requires a mindset that's considerably different from pretty much every other shmup out there. In fact, the feeling you get is that Neo XYX is desperately trying to get somewhere with its accelerated pace, sheer lack of dynamic pauses and absolutely no slowdown. Strangely enough, enemies don't always seem so eager to put you down because once they get past you they won't shoot anymore – a device that helps survival and can certainly be exploited for an easier clear at the expense of a lesser score.

In pure Seibu Kaihatsu style, the first half of the credit takes place on Earth and the second half in outer space, and players who decide to face the enemy will be subject to a remarkable variety of bullet shapes and patterns. Macrododging works better against a handful of enemy spreads fired by bulkier foes, such as the occasional midboss. Boss fights, on the other hand, are the main reason why Neo XYX might be seen by some as a bullet hell shooter. The art style for the large creatures is one of the game's visual standouts, which boasts a very colorful enemy gallery designed by indie artist Perry "Gryzor" Sessions, the man behind the embrionary concept of the game. The soundtrack composed by in-house frequent collaborator Rafael Dyll is often energetic and escorts the action with nice results.

A minor bug appears in the random failure of bomb fragment carryover from one stage to the next, an event that's quite aggravating when you're short of just a single item to get the extra bomb (there were even occurrences of being denied a full bomb within the level itself after collecting all fragments, this happens at least once in the video above). Speaking of item collection, special caution must be taken whenever enemies are killed at the very bottom of the screen since there's always the risk of losing a medal there. Keeping a maxed out medal chain is even immune to deaths, which have minimum effect on the ongoing score and are only detrimental in the case of a 1CC (each remaining life in stock is worth 1,5 million points). And with the extend interval set at 10 million, it's easy to see why scoring is also very important to go all the way into the game. There is a true last boss that will only appear if you're able to get to the end without continuing.

When starting the credit you're prompted to choose between "Training" and "Normal" and that's it, no options or adjustments are available at all. This Training mode adds side pods to the regular ship and makes it stronger while the game itself throws less enemies at the player. Since it's actually an easier full game we're all left to wonder why it was named as "training". I guess most people will agree that a stage select feature would've been much more useful.

The picture record of my best 1CC result on Normal mode is below. Soon I'll try the Dreamcast port to see how it stands when compared to this version.


Wednesday, August 22, 2018

Robocco Wars (NES)

Hybrid (Horizontal / Platformer)
Checkpoints OFF/ON
1 Difficulty level
10 Stages
Ship speed by icons
- - - - - - -
Developed by Taito
Published by IGS (Information Global Service) in 1991


The sound of the word is neat, but what exactly is "Robocco" supposed to mean? My best guess is that it's a colorful world where robotized creatures live in and a gallant human hero named Lance battles evil robots inside a heroic robot codenamed R-10. At least that's what can be ascertained from the ending sequence, but in order to see it players must fight their way across ten stages that intercalate platforming and shooting in equal measure.

I'm not very familiar with Taito platformers from the 8-bit era, so I can't really touch on the subject of in-house connections or influences. In any case I think Robocco Wars sounds a lot like Mega Man in its platforming sections, which is of course a good thing. There's an obscure charm to them that extends to the shooting levels, all of them designed with nice variety and a few unexpected and interesting references to the Darius series. The main problem with the game, which saw release only in Japan, is that most of the time it's very easy, ramping up in difficulty and annoyance in its final level only.


Lance and R-10 are a go
(courtesy of YouTube user 8-bit Days a Week)

During the platforming areas button B is used to shoot and button A is used to jump. Most of the time it's not possible to return once the screen scrolls as you move, which reduces the importance of exploration except for a few areas where you must fall through long shafts or need to choose between a few splitting directions or platforms. Every once in a while you'll enter a dedicated chamber to fight a miniboss before proceeding with the next area in the level, and when the stage boss appears it's often a larger mechanic foe that requires some jumping around and a little shooting to be defeated.

Surviving the challenge imposed by the mechanized enemies shouldn't be of much trouble for anyone in Robocco Wars thanks to the wide assortment of items to be collected. More important than the P for power-up, the S for speed-up, the star for temporary incinvibility and the occasional extra life are the heart-shaped items that extend the lifebar (blank heart) or refill it (colored heart for 1 refill, blinking heart for a full refill). Extensions to the lifebar are preserved for the rest of the credit regardless of deaths, plus the lifebar is completely refilled at the start of a new level. Dying comes from receiving too much damage and depleting the lifebar as well as falling into ground holes/pits (the number of lives and the ongoing score can be seen when you pause the game).

As expected, shooting sections are even more straightforward than the platforming areas. Button B is the main weapon and button A is the secondary weapon, which is either a ground bomb in the spaceship form or a vertical torpedo in the submarine form. It's not possible to fire both weapons at the same time (secondary takes preference when both buttons are held), that's why players must exert some rudimentary choicemaking at certain points. All the items from the platforming parts still apply here, as well as the frequent miniboss encounters prior to the stage boss. Due to their linearity, the shooting stages are also a tad easier and only start to show a little flair when you find yourself facing none other than Mother Hawk from Darius II. And if that wasn't enough, in the next shooting area you also have to deal with a variation of Guard Savage, one of the bosses that appears in the PC Engine Darius games.

An unexpected famous intruder

Taking power-up items will eventually bring up some more nods to Darius during the shooting areas, as seen in the wave shot and the needle laser you acquire in the second half of the game. Strangely enough you don't see these upgrades in the platforming parts, which are restricted to a few more powerfurl shots only. Dying does away with all upgrades, but since the game is so easy it won't matter much unless you're fighting a boss (boss fights are checkpoint-based, unlike the rest of the game). Mistakes are much more common while platforming, especially when sliding heavily during the levels covered on ice. R-10 seems to be subject to some sort of minor inertia, which is much worse under the ice effect.

Robocco Wars does everything right in regards to music and graphics, only with the occasional 8-bit sprite flicker. More than once you'll notice strong similiarities with Parodius, and it even adds some Sonic the Hedgehog flair in the Starlight Smile level. The walk in the park ends after two consecutive shooting stages prior to a final platforming level appropriately called Square Magic. Because "magic" is almost what must happen for you to figure out what to do in a cylinder maze that doesn't seem to have any way out. I entered multiple doors, fought the usual share of minibosses and wandered around like an idiot for a long time before realizing where the final boss was. The trick is to follow the green arrows until you see what looks like a portal at the very center of the screen.

And just to make the last stage even more out of synch with the rest of the game, the final boss is more difficult than all other bosses combined. One could say in the end Robocco Wars finally shows a boss that's worthy of its Mega Man inspiration. This odd difficulty spike might probably make you remember the game long after you've played it, since without it Robocco Wars would be just another colorful oddity in the Famicom library.

My 1CC mission was accomplished with the high score below. Note that projectile milking is possible during some boss fights, but it requires constant moving and would take forever to actually be worthwhile.


Tuesday, August 14, 2018

ΔZeal (Xbox 360)

Vertical
Checkpoints OFF
5 Difficulty levels
7 Stages
Ship speed fixed
- - - - - - -
Developed by Triangle Service
Published by Triangle Service in 2013


Once upon a time there was an obscure video game company named Oriental Soft. Many of its games were released in the arcades on poorly made boards that would soon break, as was the case with a 2002 vertical shooter called G-Stream G2020. Following the closure of Oriental Soft it was expected for the game to disappear from the face of the Earth, but thanks to the efforts of its main programmer and future founder of Triangle Service the source code for the game was safely preserved. With the publishing rights back in his hands, in 2013 the game was renamed as ΔZealDeltaZeal and re-released as one of the two titles in the Shooting Love 10th Anniversary compilation for the Xbox 360 (the other half of the package is XII Zeal).

By putting the Zeal suffix in the game's title, Triangle Service imposed a pseudo-retcon in its library and made ΔZeal the first in an unofficial series that continues with XII ZealTrizeal, Exzeal and the most recently released and extremely weird CombatZeal. Many aspects of ΔZeal's gameplay can be found in the sequels, so fortunately this is not just a matter of cheaply rearranging names for a little more profit. Even though the quality of their products is certainly debatable for fans of the genre, there's no denying that the much propagated Shooting Love is the heart and soul of Triangle Service, a company that has always been known as a one-man endeavor.

With seven stages, no extends of any kind and a strong mix of military and sci-fi themes, ΔZeal comes off as a seemingly straightforward shooter with some unique mechanics thrown in. The "seemingly" part is due to the dynamic branching that sends you off completely different paths in certain stages and require a good deal of knowledge to be properly treaded for survival or exploited for score.

Opening screen

Gameplay inputs consist of three buttons only: shot, rapid shot and bomb (which I have mapped as A, B, and RB in my Xbox controller). You can actually tap shot to obtain rapid shot, but the very nature of a specific attack pretty much requires having separate buttons for them (keep reading). Powering up the ship is achieved by collecting the colored icons released at a regular interval from defeated enemies, which then fill up a 10-slot power bar from the inside out; when the bar is full each new power-up pushes the oldest one out in the queue, with the current item combination determining firepower behavior. Red contributes with vulcan, blue with laser and green with homing missiles. Getting the desired firepower formation isn't as easy as it seems though because the power-up icon has a rather fast cycling routine and it often drifts off the screen or into bullet curtains.

The only other item related to firepower that you might come across is the extra bomb. Quick and powerful, the bomb animation is quite satisfying but it doesn't grant the player with invincibility outside of its hit zone. For total invincibility and other goodies the ship is equipped with a black hole device (sometimes called void-bomb or cancel-bomb) that creates an energy sphere that melts everything that's caught inside its radius except for your own ship. In order to be able to use it players need to collect the small green particles left behind by destroyed enemies (you need to pay close attention to see them, normally no one would even notice), stacking up the green little number that appears above the power-up bar. When an OK sign is shown close to it you're ready to use the black hole by holding and releasing shot. The higher the little green number when the black hole is deployed the longer it will last.

Going from survival to scoring in ΔZeal comes naturally the more you play it. The game is a slow burner for sure, with intrincacies that only become less confusing with repeated plays. Medal chaining is the biggest source of points, for instance. Every destroyed enemy or part of an enemy drops a medal that increases in value and size provided you don't let any of them fall off the screen; it starts with 10 then goes through 20, 30, 40, 50, 100 and 500, maximizing at 1.000 points. Medals generated at the same time have the same value but add to the progression regardless (e.g. four initial ones are worth 10, next one will be worth 50).

Losing just one medal sends their value back to 10, except for one particular situation: when a black hole is deployed medals are frozen at their current value, which opens up a huge opportunity for scoring if you can manage to use it when medals are maxed out because every single bullet that's caught within the black hole is turned into a medal (likewise, creating the black hole when you have a low medal value is an obvious waste). It's a great rush to get showers of maxed out medals from dense bullet streams fired by bosses, however it's imperative to adapt to the timing of the black hole deployment since it might appear at the top of the screen if you hold the shot button for too long. That's the worst that can happen because the black hole is then pretty much useless. There's also no way to cut it short for another use, it will simply consume all its energy. Then you have to restart filling it up from scratch.


Stage 1 score attack mode - Cloudy today!
(courtesy of YouTube user VixyNyan)

There are other scoring resources, such as collecting only one type of weapon so that once the power bar is full each successive item of the same color will give you 10.000 points. The problem is that the only worthy color to stick to is red. When maxed out it provides excellent spread and inflicts devastating damage at point-blank distance. Blue is good for medal collecting but awful for survival, whereas green hits all over the place with distributed power. This power-up scheme can be extremely annoying if you play for score because if you eventually take a different color you end up losing 100.000 points until you get rid of the unwanted item (or 90.000 points if you decide to completely change the power bar). That's why you can't be too close or over the enemy when killing it if you realize a power-up is about to be released.

The final touch in the scoring system is the quick killing of incoming enemies, which appears in small 5.000 point tags. I couldn't care less about this aspect though, sometimes I got them but most of the time I did the exactly same thing with no results whatsoever. Equally cryptic are some of the branching areas that bring up completely different sets of enemies in the initial stages of the game. I did assimilate how to get the railroad section in stage 2, but eventually learned to live with the randomness that's present in the first level. The alternate versions of stages 3 and 5 are chosen simply by sticking to the left and right halves of the screen once the previous bosses are destroyed (left for 3A/5A, right for 3B/5B).

Besides the obscure meanderings in its gameplay, ΔZeal incurs in some minor design choices that require a little patience from the player. There are many occasions where bullets are just plain white or gray, which makes visibility a chore when you're flying over similarly colored backgrounds and explosions. The safe distance from ground targets is also very limited, and it's rather common to be shot in the face when approaching such enemies. Bullet spreads with varying degrees of density are the norm when you're fighting bosses, which often cave in with well placed bombs (the 5th boss tended to drift off screen when I bombed too much; I even thought the game had bugged on me once because he took more than a minute to show up again). The minor screen tearing from the HD resolution didn't bother me at all.

Since there's no rank in ΔZeal practice soon leads to success no matter how tough or crowded some sections appear to be. The game sure has a few highlights in the graphical department, such as the huge bomber that flies over something straight out of Sonic Wings in stage 5 (the New York scramble) or the whole post-apocalyptic industrial look of the final level, but overall it's rather plain looking and pretty much serves as a preamble to what Triangle Service would deliver later in XII Zeal. The music sort of follows the same trend, with the ominous tune for the final stage being the clear highlight for me. Replay saving, online leaderboards, the unlocking of stage select (score attack), timed extra credits and several image/audio tweaks are all included in the Shooting Love 10th Anniversary region-free package, both in the regular and limited edition variations.

My 1CC high score playing on Normal difficulty is below. I chose the player 1 side (slower ship, player 2 is faster) and went through stages 3A and 5B, which I admittedly found the easiest choices. I just wasn't prepared to take a photo of the high score table, if you miss it as you input the initials you won't be able to see it again unless you score a new valid entry!

Friday, July 27, 2018

Dezaemon Plus [Daioh Gale Ver. 2] (Playstation)

Vertical
Checkpoints ON
3 Difficulty levels
5 Stages
Ship speed by icons
- - - - - - -
Developed by Athena
Published by Athena in 1996


Originally released only in Japan for the Playstation, Dezaemon Plus suceeded Dezaemon on the Super Famicom as the next one in the series of shmupmaking titles. Known primarily only within the circles of hardcore shmup collectors, the title gained a little bit of extra exposition thanks to the worldwide digital re-release for the Playstation Network at around 2010. This "little bit" could've been a "lot more" had the publisher provided mouse support and a proper English translation. With all the game's interfaces still in Japanese I doubt any Westerner actually bothered to tinker with it (an online translation guide just doesn't cut it).

Anyway, if you don't care about the shmupmaking aspect of Dezaemon Plus you can still enjoy the sample games included in the package. The main title here is Daioh Gale Ver. 2, an updated version of Daioh Gale (from the SNES chapter) that's supposed to showcase the improvements in the development tools of the Playstation disc, most notably the ability to handle sprites at will with rotation, zooming and collision manipulation. There are also ten user-developed games that won two separate competitions held by Athena, but these unfortunately don't use the sprite resources from Dezaemon Plus and are instead based upon the SNES Dezaemon platform.

To complete the line-up of 13 playable games on the disc, one of the two hidden extra titles at the player's disposal is none other than the original Daioh Gale, which can be accessed by pressing L2 while choosing the option for the main sample game (first option in GAME PLAY). For those who care about the sample games only, this obviously makes the SNES entry in the series completely redundant and useless.


A stretched snippet of Daioh Gale Ver. 2
(courtesy of YouTube user Dontian)

The only real link between arcade Daioh and the home variations of Daioh Gale is developer Athena. A few similarities in the gameplay also apply, but other than that Daioh Gale is in its own separate league of a console-friendly challenge that shouldn't give anyone much trouble to beat. One button is used to shoot (□), another to bomb (×) and several power-ups give some diversity as you play. Weapons come in three switchable flavors: red is the starting vulcan shot, blue is a missile discharge with secondary homing missiles and green is a fast-moving homing bubble stream (get two consecutive ones to max out firepower). Other items include speed-ups (S), extra bombs (B) and 1-hit shields (SH).

As the flagship sample game in Dezaemon Plus, Daioh Gale Ver. 2 comes with a few differences from the "vanilla" version, as listed below:

  • Ver. 2 has only 5 stages instead of the original 6 (the last level of Daioh Gale is gone);
  • the music for level 6 of Daioh Gale is used in the final stage of Ver. 2 (tracks for the previous levels are the same);
  • several parts of Ver. 2 have rearranged enemies, some of them with slightly different rates of fire and bullet speeds;
  • lots of enemies now zoom in and out of the screen;
  • there are less power-up items and less extra bombs in Ver. 2;
  • the maxed-out vulcan weapon is just a straight stream instead of the previous spread pattern;
  • the whole obstacle field of the final level has been altered and made more difficult (some memorization is definitely needed there).

It's easy to notice that all changes were pretty much aimed at increasing the difficulty of the game by just a short margin, perhaps as a compensation for having one less stage than the "original". Completely botching the efficiency of the red/vulcan weapon wasn't needed though, especially since it isn't anyone's first choice unless you take into account its bomb animation, which is the best one for panic purposes or for hitting far beyond you current position. After all, the effect of bombing depends on the the weapon you're using. Red detonates a round blast that expands outwards, blue creates a vertical beam of inwards fading energy and green sort of increases the damage inflicted by the homing bubbles. It's also important to remember that weapon types are carried over when you die (there's no default besides the start of the 1st stage).

4th boss amidst the clouds

Extra lives are score-based and come at the mark of 200.000 points and for each consecutive 500.000 points after that. Since getting repeated items gives you nothing and milking opportunities are so few and far between, there are no special remarks to be made about the scoring system other than exploiting checkpoints to score higher. Though I'm normally against this technique in checkpoint-based games, I didn't feel guilty by doing it this time because the game is pretty short and, quite frankly, as much a cakewalk as its predecessor was. I'm only left to wonder if the other sample titles in Dezaemon Plus are of the same caliber. We shall see in the future.

For some weird reason the save option in the disc did not work on my console, so my high scores could not be saved. Either this function is solely dedicated to the shmupmaking part of the package or my memory card was faulty. In any case, here goes the best 1CC high score I got for Daioh Gale Ver. 2 (Normal difficulty).


And while comparing titles I achieved the following high score in the original Daioh Gale, also on Normal difficulty (hold L2 when choosing the main sample game):


Thursday, July 19, 2018

Final Blaster (PC Engine)

Vertical
Checkpoints OFF
1 Difficulty level
7 Stages
Ship speed selectable
- - - - - - -
Developed by Namco
Published by Namco
 in 1990

In a library that spans dozens of shooting games it's quite common to overlook Final Blaster, either for its mundane phrasal proximity with the Star Soldier series (there is a Final Soldier after all, and I've confused them more times than I like to remember ~ even when writing this blog post) or for the subdued aspect of the package when compared with more recognizable offerings by Namco (such as Galaga '88, Dragon Spirit and Xevious, for example). Whatever the reasons, the truth is that Final Blaster tends to be unfairly left aside by everybody. That in itself is a very sad fate for a game that's certainly above average among it's 16-bit or PC Engine peers.

Much more interesting is the obscure tie-in of Final Blaster to other Namco titles such as Bosconian. The most prominent link between these two is the 7th and last level of the game, which takes place in planet Bosconian itself. This connection kinda justifies the arcade-like structure of Final Blaster, but it also hints at a deeper meaning within the works of developer Namco. Upon a quick reasearch I found out they're part of an integrated universe called United Galaxy Space Force (UGSF), which spans several years and includes titles of all genres. It's a very nice concept for those who enjoy tracking down the stories behind the games they play.

Final Blaster puts the player in the seat of the Blaster mk-II Phoenix, a powerful spaceship sent out to stop another invasion from Bosconian baddies. Armed with a nice weapon selection, it departs from the Moon and cruises all sorts of environments until the face-off against the mother alien. Fire away with button II or hold it to charge the "phoenix" attack, which upon release emits a powerful blast shaped after the mythic bird. This blast pierces through walls and is your only ally against some of the bosses (notably the 3th and the 7th). The only gripe is that you need to get used to the relatively long charging cycle, as well as switching that turbo function on and off when needed since there's no autofire at all in the game.

Just a couple more kills to finally face the boss

In order to increase the efficiency of the regular shot you must destroy the carriers and collect power-ups that cycle between two colors only. There's a catch though, since reds and blues don't exactly work according to regular conventions: red is responsible for the ship's power, whereas blue endows it with options whose behavior depend on the amount of red power-ups you have already collected. It works as a single 3×3 matrix where a few seemingly less powerful combinations end up being better than the most powerful ones. The awesome configuration for trailing laser options, for instance, is achieved with 2 reds and 3 blues, while the double directional options with missiles is activated with 3 reds and 2 blues. Max power (3/3) corresponds to the rotating laser options, which although powerful lacks the coverage you can get with the previously mentioned configurations.

And then comes the purpose of button I. When pressed, it sacrifices one blue power level for a bomb flash that kills everything on screen, so to get the ship back to its previous status you need to get another blue power-up. Survival mechanics aside, I just wish I could do the same with the red power to get the configurations available for 2 reds, but it's not possible. The final input at the player's disposal is the SELECT button, which switches the flying speed up and down through four settings visually indicated by the number of spiky edges of the ship itself. I mostly used speed 3, changing to 2 and 4 only once each (2 during the hydraulic clutch passage of the 5th stage and 4 against the final boss).

Once you finish a stage in Final Blaster the game measures your firepower and performance in order to determine the difficulty level of the next area (OPT for blues, POW for reds and MISS for deaths). This rudimentary rank system is very subtle, and is mostly noticed in the enemy resilience after you die in a condition of max rank (level 4). In any case, things will just be very difficult during the second half of the game no matter how powered up you are or how many times you have died. And dying can be extremely cruel: the green icon left behind gives back all the power you had if you're able to pick it up. It's easily recoverable if you die close to the top, but will be irrevocably lost if you bite the dust close to the bottom. And then it's back to the default power level, despair knocking at your door as the enemies relentlessly proceed with their attacks. Factor in the vertical span of the play area, which is a good degree wider than usual, and you'll also have to deal with enemies you can't see firing bullets after they've already left the screen.


Blasting reaches its final instance
(courtesy of YouTube user EnciclopediaLusa)

With great variety in stage design and bosses, all levels in Final Blaster feel quite unique. The very first impression might be of another Star Soldier lookalike but soon you notice the game actually bears a striking resemblance to Irem's Image Fight, as hinted by the ship's directional firing patterns, the floating islands of stage 3 or the shaft full of platforms and walkers of stage 4. Irem is also a very strong influence in other parts of the game, such as the final stretch prior to the last boss. Throwbacks to Xevious and Dragon Spirit can also be spotted, yet Final Blaster manages to leave a mark of its own with very specific sets of hazards and traps amidst cramped, claustrophobic areas that require careful maneuvering. The music is also of very good quality and plays in perfect balance with the sound effects.

Good performances in Final Blaster are duly and fairly reflected by the tight scoring system. A nice bonus is achieved if you complete a level without losing any lives, with the final stage obviously granting the highest prize of all. Items in excess are worth 500 points each, and mild milking is possible in certain areas. Watch out for that Galaga-like insect that cruises the screen in erratic patterns: if you don't kill it the thing will return in a larger and stronger form that descends slowly from the top while tracking the player's position. Not only is this huge insect a pain in the ass, but if you fail to kill it again you'll be robbed of one level of blue power, a downgrade that can be disastrous at times (the big slow bug is also worth less points than the zapping little bug). Extra lives are score-based and come with 50.000, 100.000 and then for every 100.000 points afterwards, with a few continues making it possible to practice once the credit is over.

After all the hard work one has to put into beating the game, the ending sequence does feel like a worthy reward for us brave pilots. It's got a very emotional tone, giving closure to the simple opening panels and putting an end to the experience on a high note. Of course this high gets even better with a higher score (if you miss your final number just wait for the attract mode to run to see it again). My best result is below, having died twice and being denied the bonuses of stages 5 and 6.