Sengoku Cannon (PSP)

Horizontal
Checkpoints OFF
3 Difficulty levels (1 unlockable)
5 Stages
Ship speed fixed / selectable at start
- - - - - - -
Developed by X-Nauts (former Psikyo)
Published by X-Nauts in 2005

Finally, the third chapter of the Sengoku Ace series, an exclusive release for the Playstation Portable! Behold, Koyori’s voluptuous cleavage is yet again in display for some more welcome fan service (of course she’s back, a Sengoku Ace shooter without her isn’t a proper Sengoku Ace shooter). Even though it can be argued if Sengoku Cannon, also known as Sengoku Ace Episode III, is able to live up to the standards of previous chapters, it is common sense among everyone who has played it that the game is a letdown. I think this is only partially true - the problem with it is that the pros are certainly outweighed by the cons.

Sengoku Cannon retains the overall feel of Sengoku Blade, the previous chapter. It’s a horizontal shooter, and some of the same characters return in order to fight a new Dracula-like villain. While apparently the same from the outside, diving into the game will instantly make some (bad) things very clear. The most important issue is the frame rate, which isn’t ideal and makes the game harder than it should be. Then there’s the background graphics, which are all rendered in 3D and for the most part look sparse, poor and unpolished. Due to the complete absence of ground enemies, the game can be seen as a horizontal version of Shikigami No Shiro. The music is the least aspect prone to criticism, but there are parts of it that feel kind of displaced (one BGM reminded me of T. Hawk’s theme in Street Fighter). In the end, it’s clear that even though the Psikyo brand is stamped all over the game it’s not easy to see the company of old in the material delivered through the X-Nauts label.

Oh, no! It's you again!

Going beyond the weaknesses, it’s important to mention that the gameplay in Sengoku Cannon does boast a new style. And guess what - it works. Gone are the charge shots of before, as well as the familiars who generated them. It’s only you flying alone in the vastness of the skies. And here there’s no stunning effect when you crash into an enemy, doing this will incur in instant death. Each character can use four types of attack: rapid shot, concentrated shot, cannon and bomb. Tapping the main fire button results in rapid shot, while holding it down results in the concentrated shot, but both are also mapped to different buttons. The concentrated shot drastically reduces the character speed so that you can move better against tight bullet patterns. Bomb is the usual panic attack, and cannon corresponds to a more powerful burst of energy with lower (manual) firing rate.

Not only is the cannon attack more powerful, but it is also the key to scoring. Killing an enemy with a cannon shot turns all its bullets into coins and extra points, but only if you haven’t hit him with a cannon before. Popcorn enemies die with just one cannon, but larger enemies must first be weakened and only then wasted with a final cannon shot so that all their bullets are turned into coins/points. If an enemy is hit by a cannon shot and doesn’t die you lose the chance to collect his bullet bonus. The good news is that the health bar on the lower right corner helps to know when the enemy is about to die, but the bad news is that this bar is shared between all enemies, so it becomes difficult to use it when there are multiple ones on screen at the same time.

Trying to properly kill the maximum amount of enemies with cannon shots is what defines the challenge during the stages themselves. I had good fun doing it. For this reason my favorite character is Mizuko the teenager, apparently a disciple of Tengai the monk. She has the fastest recovery for cannon shots, a decent compensation for being the weakest of all characters. Playing with her also comes with a cruel disadvantage: her concentrated shot is a pink beam of energy, and pink is also the color of 98% of enemy bullets. Guess what you have to deal with during boss fights? Speaking of which, gone are the huge transforming mechanical beasts of before. The only exception is the first one, all other bosses are just super-powered humans who spew more and more bullets as the game draws to an end. Mid-bosses are frequent and can be as difficult as bosses to defeat.

Other important gameplay aspects are power-ups (P increases the power of rapid/concentrated shots, B adds one bomb to the player’s stock) and extends (400.000, one million and for every million points afterwards). Bonuses for completing a stage are awarded based on cannon usage, fast boss kills and no-missing.

Koyori goes through stages 3 and 4
(courtesy of YouTube user qhoang85)

Stages in Sengoku Cannon have a fixed order. There are only five of them, but they get increasingly longer and harder, with no looping. Don’t judge the game on the first three stages alone, there’s a bit of the trademark Psikyo patterns deep into the last couple of levels. I only wish there was a better balance for the character’s speed - I can’t help but feel that when you’re using the rapid shot you’re too fast, and when you’re using the concentrated shot you’re too slow (bad frame rate!). Shifting between these two speeds during a heavy bullet shower is almost always fatal. All other characters are well balanced and stronger then Mizuko, but their successive cannon attacks aren’t nearly as efficient as hers. Tengai the monk appears possessed in the final stage, and is unlocked as a playable character by finishing the game with continues. To unlock Junis you have to beat the game without continuing (she seems to be on par with Mizuko regarding cannon shot ratio).

X-Nauts was kind enough to include a practice mode in the game. However, you can only practice the stages you reached with the characters you have already played with. Likewise, a Hard difficulty is unlocked only for the character you beat the game with. Why, I wonder? Forcing replay value with such dictatorial devices is just stupid.

If you’re able to overcome the bad frame rate and the ugly graphics, Sengoku Cannon might be an enjoyable shooter for you. I admit I liked it more than I think I would, based on what I had read about it prior to playing. I feel a bit guilty for not choosing Koyori this time around, but Mizuko was a much better scorer for me. The result below was achieved with her.

Defender of Zorgaba (Xbox Live)

Vertical
Checkpoints OFF
1 Difficulty level
4 Stages
Ship speed fixed
- - - - - - -
Developed by Nashz99
Published by Nashz99

Planet Zorgaba needs you. It's under attack and must be defended at all costs. However, if you decide to accept this mission, be afraid. Be very afraid. Be more than afraid. For Zorgaba isn't an ordinary planet, nor is Defender of Zorgaba an ordinary shmup. It was, after all, designed by a couple of dudes and a chick (I'm not making this up, it's written in the game's opening screen). Not calling it ordinary is fair because for me the word ordinary evokes "poor and basic", as in "poor experience + basic execution". There are many shmups that fall into this category, and Defender of Zorgaba isn't one of them. It's more in the lines of "sleep-inducing experience + flawed execution", a sad combo that relates well with "disaster + torture".

We shmuppers have to beware of our choices when we select games randomly for friendly competitions. Defender of Zorgaba was a short-lived XBLIG choice that was soon replaced once the participants figured out what was at stake. Sure planet Zorgaba still needed protection, but to have the game as official ground for something that's supposed to be thrilling and fun is too much of a stretch for any shmup fan, even those who have a knack for stinkers such as myself. Therefore, the game was promptly dropped and neglected by all. Nevertheless the shmupper in me was still willing to give it a minor share of attention. I had started it, I would see it to the end.

"Zorgaba needs me!", ponders the lone intergalactic hero

Defender of Zorgaba is a bare bones vertical shooter with a ship that looks like an alien insect. The proximity of the Zorgaba planet is full of asteroids flying against a fixed background (talk about a cheap way to achieve the scrolling effect), populated with a very limited selection of enemy spacecraft. The start of the journey is pretty void, but soon the screen gets a little busier with incoming bullets and enemies. Some of them will randomly drop items to collect, including health recovery cells, shields, extra bombs, extra lives and weapon upgrades. These upgrades are applied to whatever weapon you're using, out of four selectable with the bumper buttons (L1 + R1). There's the straight shot, the spread shot, a homing shot and a twin-stick shot, for which you must also use the right analog stick to fire. The twin-stick weapon is by far the oddest design choice of the game, since it also allows you to use a guided missile by aiming it while holding the right trigger (R2). Unfortunately, using it is so cumbersome that it becomes practically useless in the heat of the battle. Damn, even the twin-stick regular shot isn't that useful at all. And for those wondering, the use of the D-pad is totally disabled.

Each weapon can be upgraded three times and has two modes of attack (concentrated and wide), which are switched by pressing the X button. The straight shot is the most powerful one, while the spread pattern is good for overall coverage. The homing weapon serves a purpose when bosses fly in the lower part of the screen. Boss fights seem to drag forever, especially the first one, due to the nature of how power-ups are acquired - sometimes you get to him quite underpowered, even if you don't die. The good news is that there are only four bosses, and they become easier as the game unfolds. The sad news is that three of the four stages have basically the same background. Make no mistake, defending Zorgaba is a long, dull and repetitive ordeal.

Dying incurs in two consequences: (1) you lose all power for the weapon you're currently using and (2) the score multiplier is reset. The rule for the multiplier is pretty simple: kill enemies and it will slowly increase, die and kiss your scoring progression a sad goodbye. Now dying in any shmup isn't good at all, but dying because the game controls like shit is even worse. When you finally come to grips with the small inertia of the ship (noticed when you stop moving), eventually you discover that approaching a side border can be fatal because in 9 out of 10 times the ship will mysteriously get stuck, turning you into an intergalactic sitting duck! This is inadmissible, and during boss fights the situation is even more critical.

Hideous gameplay is hideous
(courtesy of YouTube user GameplaysELV)

Speaking of bad programming, a friend reported once that the 4th boss left the screen during the combat to not return anymore. "Forever alone in Zorgaba's defense", that's what it's all about. Not programming related, another feature that can be annoying at first is the shield, which increases the hitbox massively. There was a time when it became invisible on me - I noticed I had it by the noise I heard when I got hit without losing any health. The music can be defined as weird, with a few grating parts that match the game's atmosphere but ultimately get mixed up in a bag of uninspired crap.

With all its flaws and atrocious design traits, I still think I should congratulate the developers for coming up with such a unique name for this game. "Zorgaba" sounds very funny when pronounced in my language (Portuguese), and I can't help but feel all warm and fuzzy inside when people ask me what I played recently in my 360. "Zorgaba, dude, I was playing Zorgaba". And they all go "...but WTF is Zorgaba?" to which I grin as if it was the most precious guilty pleasure ever. Of course this is not the case. Defender of Zorgaba is a shmup and I love it for what it is, but I'd be crazy if I didn't give it its just desserts.

My 1CC high score and maximum multiplier can be seen below (no deaths):

Sengoku Blade (Playstation 2)

Horizontal
Checkpoints OFF
7 Difficulty levels
7 Stages (loopable)
Ship speed fixed / selectable at start
- - - - - - -
Developed by Psikyo in 1996
Published by Taito in 2004

It feels really odd to admit this, but I was missing Psikyo. I still remember when I thought this would be an impossible idea. I've been playing the most diverse kinds of shmups, so I guess my missing their games tells a lot about how unique they are, in every possible sense of the word. As much as I was reluctant to comply, Psikyo does play a big part in shmup history. Very few companies developed titles with such a characteristic challenge, one that practically defines the bulk of their releases: a combination of in-your-face fast bullet patterns and undeniably cruel rank.

Getting back to Psikyo can be a little of a shock, but in this case it wasn't an all new adventure. Sengoku Blade, the second chapter in the Sengoku Ace series (it's known after all as Sengoku Ace Episode II), is also available on the Sega Saturn, and that one was already looped almost two years ago. On the Playstation 2, it appears in the Japanese combo disc that puts it together with first chapter Sengoku Ace or in a stand-alone European release renamed as Tengai. This is the name of one of the characters - the protagonist, maybe?

My appreciation and respect for Sengoku Blade increased this time around. The sprite work is great, the art design leaves nothing to be desired and the difficulty is quintessential Psikyo, whatever that means - everybody needs to try it out to know how it feels. I did learn how to cope with the rank in the 5th stage, which is something that gave me a hard time when I played the Saturn version. Or maybe I'm just a more experienced player than I was before.

Sorry, babe, you can't beat Koyori as my fave Sengoku Blade chick

My aim when replaying Sengoku Blade on the PS2 was to best my Saturn high score. Initially, I tried not to use big-boobed Koyori/Miko, which I think suits me best, but I failed miserably. Shoumaru, the young ninja, has a weak shot and takes too long to deploy his charge attack. Tengai the monk and Hagane the robot have no reach on their charge shots. And the only good thing about Junis is her charge shot.

I mention charge shots a lot because I believe that playing Sengoku Blade seriously requires mastering the character's charge attack, beyond what you need to grasp with the good old method of regular shot + bombing. Doing well also relies heavily in memorization and detailed knowledge of enemy movement and bullet patterns (more than the usual share), especially when you beat the first set of three randomly selected stages and start the last four. Going through my old strategies with Koyori wasn't as easy as I had envisioned, but I did get to use a brand new gameplay technique, for me at least: while with all other characters the charge shot must be deployed one at a time, with Koyori you can spam the screen with it. This means that whenever the game lets you breathe, such as before boss fights or showdowns with stronger enemies, fire away as many of those slow bubble creatures as you want. It's a helpful way to easily get rid of a good deal of threats.

I still struggle a lot with the medal collecting, since the urge to time them all for maximum points (2.000 when taken in full size) often leads to hazardous conditions and horrible death. Trying to score higher also led me to the temptation of milking popcorn enemies while fighting bosses and large enemies, but I found out this must be done with caution. If they time out and flee/explode you get no score from them.

Opening and attract mode for the European release, Tengai
(courtesy of YouTube user narox)

All facts considered, it's a shame Psikyo never ventured again into a full-fledged horizontal shooter in the same vein of Sengoku Blade (Sol Divide doesn't count). The company decided to concentrate its efforts into vertical fare such as the Strikers 1945 series. Much later a new episode in the Sengoku Ace series would arise for the PSP, but the result was nothing like it should've been since the real Psikyo was pretty much dead and buried by then.

If you ever managed to get there, then you know that Sengoku Blade's second loop is brutal. I tried to survive as much as I could but still wasn't able to proceed to stage 2-2. For the first loop, this time I chose the upper path in the last couple of stages, as opposed to the lower choice I made a couple of years before. And here's my new high score (difficulty 5 - NORMAL):

Score Rush (Xbox Live)

Arena
Checkpoints OFF
6 Difficulty levels (5 unlockable)
1 Stage
Ship speed fixed
- - - - - - -
Developed by Xona Games
Published by Xona Games in 2010

In the beginning of February my good buddy Jorge (aka coffeejoerx) and I decided to select an XBLIG shmup for a friendly competition during the whole month, and our choice fell on Xona Game's Score Rush, the prequel to one of the most anticipated titles by all shmuppers these last months, Duality ZF. Duality ZF has created a considerably warm buzz within the community, but since its release has been barred by whatever problems the developers are having with its publishing, Score Rush is here to quench the thirst created by the sequel. And I must tell you people, it suceeds in every possible level.

Score Rush is definitely one of the best shmups you can get for 80 Microsoft points (~1 US dollars), which is the most common figure you find in the XBLIG service as of now. I wasn't impressed at all by Xona Game's earlier effort Decimation X, so when Score Rush came out I didn't feel enthusiastic about what seemed to be another Geometry Wars clone. However, after talking to some people and checking a few videos here and there I thought it would be nice to try it. Needless to say, I was pleasantly surprised by this sparking, color-heavy, intense and fluid twin-stick shooter that's nothing like Geometry Wars. It's got a soul of its own, lots of charm and an incredible potential to provide genuine shmup "rush", as its name clearly implies.

Color mayhem ahoy!

For a title that's so simple, the depth of the gameplay is nothing short of astounding. There's absolutely no bullshit in Score Rush. It's just you and your electrically charged shot, 100% benign power-ups and non-stop action from start to finish. It's so non-stop that you don't even see any indication of progress (i.e. stages) besides a report for the time you take to beat each boss, shown in detail when you get to the GAME OVER screen. These bosses are named by alphabet letters from I (first) to A (last) and blend seamlessly with the mayhem of bullets and colors amidst a plethora of abstract enemy spaceships, a design decision that seems odd but ultimately works really well within the graphical style of the game.

Following the concepts of the bullet hell school, the ship in Score Rush is just a few pixels wide. Weaving through countless streams and patterns while having a multidirectional shooting capability seems to be the natural way to go for twin-stick shooters, and is definitely my favorite take on this particular control scheme. The smooth HD overload of colors, bullets, shards and electrical sparks provides the perfect environment for a quick burst, but this intensity comes with a minor downside, especially if you, like me, enjoy playing very close to the TV screen: the game becomes very taxing to the eyes after about half an hour of playtime. As addictive as it is, I must warn people who have or are prone to have eyesight disorders to approach Score Rush with caution.

There are two types of power-ups in the game: one of them increases shot power, and the other adds trailing options. When maxed out, every extra power-up causes a localized explosion that nullifies nearby bullets. Every credit comes with three smart bombs that must be used wisely. Dying strips you off some power, just so you have to collect a few more power-ups to regain your previous destructive status. If you manage to survive long enough, at some point you will come accross a single 1UP to help you achieve the final goal. While the overall challenge level feels just fine, the scoring system is what makes Score Rush special. It uses a very simple risk-and-reward technique, in that higher score bonuses come with faster kills, be it for popcorn enemies or huge bosses. That's why memorizing patterns and places of enemy spawning is the key to a better performance. The closest you are to the enemy the more damage you cause, which leads to faster kill times.

Score Rush's official launch trailer
(courtesy of developer and YouTube user XonaGames)

Abusing point blank for faster kills will eventually lead the player to take advantage of screen shakes. When a mid-sized or large enemy dies, the shaking effect gives you a brief window of invincibility, which is invaluable to overcome bullet barrages and escape tight situations. This becomes more and more important as you unlock harder difficulty modes and face more dense bullet curtains. There's only one difficulty available upon start (Normal), and to access further difficulties you must complete the game on the hardest current one. Above Normal we have Hard, Expert, Crazy, Insane and Godlike. Enemies have higher base values in higher difficulties, providing for higher scores. Unfortunately, the high score table doesn't do any distinction between the difficulties - this is the only criticism Score Rush truly deserves.

Complementing the high definition graphics, the music in Score Rush is great and puts the player right in the mood for instant blasting. The game caters to the sensibilities of hardcore players and, for starters, represents an excellent introduction to the bullet hell style of gameplay. It's possible to play cooperatively with up to three friends, just bear in mind that score/lives are shared between everybody.

I was able to beat both Normal and Hard modes, unlocking Expert. It's important to mention that each difficulty has its own limits and rules (the highest the difficulty the highest the score). My best 1CC score on Hard was 276.091.912 points. Since Jorge and I concentrated on the Normal difficulty, my highest score in this mode was the following:

Formation Z (NES)

Hybrid (Platform / Horizontal)
Checkpoints ON
1 Difficulty level
3 Stages (loopable)
Ship speed fixed
- - - - - - -
Developed by Jaleco
Published by Jaleco in 1985

Let's rewind time back to 1984, when shoot'em ups were still in the process of establishing an image as a proper genre. It was a golden era for developers that were starting to build a name in the arcades, such as Taito, Konami, Namco and a few others. In the case of Jaleco, Formation Z was its second contribution to the genre (the first one was the vertical inertia-based Exerion), a primitive and odd title that tried to make some ideas work in a time where the genre's foundations weren't yet etched in stone. It's probably the first of all shooters involving transformations from robots to jets, a very specific variation whose most famous representative is the Macross game series.

We must bear in mind that Gradius, probably the most influential horizontal shmup of all time, wasn't even out when Formation Z hit the arcade scene (outside of Japan it was known as Aeroboto), so don't expect the gameplay to unfold like your regular horizontal shooter. It starts as a weird auto-scrolling platformer where the robot can only shoot forwards/diagonally and jump. He’s not allowed to turn left, but holding the jump button will turn him into a fast moving jet. Pressing the jump button again close to the ground will revert him back to the robot form, slowing down the action to its original starting pace.

Bonus your energy!

Jaleco ported the game to the Famicom themselves, and did a very good job at retaining all the characteristics of the arcade. However, saying that Formation Z’s gameplay is unique is just a soft way to say it hasn’t aged well at all. It feels clunky, cheap and unbalanced. Playing it doesn’t feel comfortable in either form (robot or jet), at least in the first half dozen tries. If you don’t persevere you most likely won’t even approach the first boss, since there’s no explicit division between stages and the second section feels just like the first one.

One of the strongest early influences in the genre is the notion of fuel, and the fact that you need to burn it in order to fly. In this game you don’t burn fuel when you remain in robot form, but flying will deplete fuel stock pretty fast (display is in the lower right corner). Therefore, in order to keep flying you need to collect fuel canisters on ground level. The problem is that doing this in jet form is very difficult because by the time you see a fuel canister it’s just too late to collect it. It’s perfectly okay to relinquish the jet form completely, but there comes a point where you must fly to cross the ocean. By then you should have a decent amount of fuel because there are no fuel recharges in these ocean sections. This means that if you don’t have enough fuel to make the crossing the jet will plummet to death.

Despite fuel concerns, it’s also necessary to cope with a few other issues. When moving up or down, the jet shoots diagonally instead of shooting forwards. The closest you are to the ground the fastest you fly, but it’s pretty easy to touch the surface and die. There are no power-ups in the game, only a charge shot that fires automatically: keep the button pressed and it will fire stronger shots at regular intervals. This demands some timing, for example, if you want to take down tanks and bosses. By the way, you can only kill these enemies with charge shots.

A Decepticon treads the surface of a conquered planet
(courtesy of YouTube user Stafy)

I like to think of Formation Z as a three-stage game. Each stage ends with an ocean or an open space section where you’re not allowed to remain in robot form. The second and third stages have bosses, and the last one of them bears a striking resemblance to Big Core from Gradius (!). After he’s defeated the game loops, revealing its surprisingly short length. Just to have an idea, it requires less than five minutes to complete if you go for a speed-run. This weird stage structure is shared by very few other shmups, such as Transbot/Nuclear Creature for the Sega Master System.

Small enemies, missiles, tanks and weird flying objects compose the limited enemy gallery. Although simple to the point of dullness, the graphics in Formation Z at least have a few layers of parallax, which adds greatly to the sense of movement. There’s no music at all, only a poor selection of sound effects. In addition to that, strange gameplay quirks do not help in making this obscure oddity any more likeable, so it’s safe to say its appeal resides totally in the ranks of nostalgia-buffs.

I spent one night with it and looped it once. I guess that’s enough for me.

Avenger (PC Engine CD)

Vertical
Checkpoints OFF
1 Difficulty level
8 Stages
Ship speed fixed
- - - - - - -
Developed by Laser Soft
Published by Telenet Japan in 1990

Aliens are one of the most insistent brats of the universe, they're always trying to invade and conquer the Earth. If it weren't for the brave efforts of leagues and leagues of lonesome pilots the human race would be dead meat in no time. In the case of Avenger, lots of damage are inflicted by these outer space creatures before someone takes on the task of fighting them, as shown in the game's lengthy introduction. The pilot of the advanced hero helicopter is a red-haired heroine, and the battle is to be fought throughout eight stages of alien infested tanks, vessels and warships. That's a nice way to put it, I guess, but expectations shouldn't be held high because this is a fairly average shooter that does nothing to stand out from the flock.

In certain ways Avenger reminded me of the dreadful D-Force, even though it is relatively much more playable and enjoyable. You can see similarities in the way a few weapons and missiles are dealt with between both titles. Nonetheless, I believe the most vivid influence in Avenger comes from Taito's rather obscure Gyrodine, because it uses the same tilting mechanic for weapons: as you sweep left and right your shot "bends" in order to follow your movement. The catch here is that you can lock the shooting direction as you wish. You will also be able to choose three types of weapons before playing a stage/mission. Starting out with just a few weapon options, new ones are unlocked as you progressively beat the stages - much like in Axelay.

Where am I shooting at?

Flying through land, sea, cities and ravines, the avenging chopper doesn't go through anything that's graphically remarkable or mind-blowing. There's a stage where you fight a huge tank travelling at high speed, but aside from that the pace is mild and relaxing (or boring, depending on your state of mind). Overall, graphics are quite primitive and can get confusing with certain obstacles that kill you instantly. This means that hitting a wall leads to an instant GAME OVER, regardless of current energy/lives, so the error margin for this gameplay threat is null. Just like in a few other PC Engine games, the sound effects are too loud and don't allow you to listen to most of the music properly. Breathing sections are very few and far between, and without knowing them in advance you won't want to take your finger off the trigger just to enjoy the soundtrack...

In every stage the player starts with 4 lives in an energy bar. Items are carried by a specific destructible enemy and cycle through M (main weapon upgrade), S (sub weapon upgrade) and R (1-life/health recovery). Every new main/sub weapon you select needs to be powered-up, and some of them take more items than others to reach maximum power. For the main weapon you can have the default straight shot, a missile launcher and a laser. Sub shot can be chosen between homing missiles, directional wave shots and auxiliary pods. Both main/sub weapons are fired with button II, and the shot direction can be locked by continuously pressing button I. In order to trigger one load of the special weapon you need to stop shooting and push solely button I (weird, but that's the way it is). Selectable special weapons consist of 3 EMP discharges that eliminate on-screen bullets, a single invincibility device that lasts a few seconds and two smart bombs with great destructive power.With the exception of the laser, the process of upgrading main weapons is odd because as you reach maximum power the spread range is increased but the rate of fire is reduced. Having them with intermediate power and a greater rate of fire is sometimes the best option from a gameplay standpoint, but then you won't get the 3.000 points for each additional item you collect when you're maxed out.

How to rid the planet of another nasty alien invasion
(courtesy of YouTube user KollisionBR)

When a boss is defeated you're treated with a screen showing the helicopter fleeing from a massive explosion, followed by a briefing on the next mission and, sometimes, a choice between two options. Unfortunately, everything is in Japanese and it was impossible for me to figure out what was going on. The selection you make affects the order of the upcoming stages, as well as the order of the newly unlocked weapons, but in the end you'll always play the same cluttered, claustrophobic last stage (be careful with walls!).

Avenger has a rather tame bullet count, with just a few moments where dodging becomes intense, such as the final section of the aforementioned huge tank stage. The best way to take down some of the stronger enemies is to point blank them, but you have to do it carefully. It's pretty common to lose all lives and waste the credit during a concentration gap (thankfully CONTINUES are unlimited, albeit forced). Upon completion, the game gives you the following secret code: URDL2ULDR1. When input in the opening screen, this command sequence (↑ → ↓ ← button II ↑ ← ↓ → button I) lets you start the game with all weapons already available. A curiosity: pressing SELECT on the opening screen triggers a short sequence starring a blonde character from an RPG series released by Telenet Japan.

One detail that bugs me involves the high score display that's shown during the GAME OVER screen: don't rely on it to get the high score after beating the game. The damn thing shows only the high score for your current session if you continue, so remember to pause right after the last boss goes down. That's how I got the following still for my records:

R-Type (Master System)

Horizontal
Checkpoints ON
1 Difficulty level
8 Stages (loopable)
Ship speed by icons
- - - - - - -
Developed by Irem
Reprogrammed and published by Sega in 1988

Blast off and strike the evil Bydo empire!

Being able to play one of the games that helped define the shmup genre must have been an exquisite pleasure for Master System owners, even if they were not aware of its importance back in 1988 (well, we were all kids back then). After all, at home R-Type was exclusive to Sega’s 8-bit system while the PC Engine version didn't hit the market, and worked as a kind of compensation for the NES having Gradius (later on an unlicensed R-Type hack would appear for the NES under the name Magic Dragon, but that doesn’t count).

Revisiting the game after being exposed to a few more advanced versions has some advantages, such as realizing how good a port it actually is, as well as being able to properly assess its lower difficulty level. The most impressive feat of the Master System version is how faithful it is to the original arcade game, down to every single important gameplay aspect. Practically nothing got lost in translation. Of course graphics and music had to be downgraded to 8-bit standards, but they are certainly of great quality given the hardware limitations. And they successfully play their role of materializing one of the most fulfilling and influential classic shoot’em up experiences.

The last Bydo master!

The classic R-Type gameplay is here in all its glory. You pilot an initially sluggish spaceship, the R9 "Arrowhead", that’s propelled into the screen as if it’s just come out of a warp drive. The pea shooter can be charged into a more powerful beam, and items are brought by these small drones that jump and bounce around the screen. The “force” is the most important item – it’s created after you get the first colored icon and can be docked both on the front or the back of the ship, acting as a shield and a special weapon generator after you get a 2nd colored item. The third one will max out this special weapon according to its color: blue gives you a set of bouncing lasers, red gives you a wave shot and yellow provides a pair of wall-crawling energy "snakes". The force can be tossed away, upon which it starts firing single shots instead of the special weapon. Other items include guided missiles (M), speed-ups (S) and orbs that appear above (1st icon) and below the ship (2nd icon).

R-Type’s excitement and rush come from the process of mastering each one of its stages and sections, in what most people call a “memorizer” shmup. The slow pacing is a trademark here, and speed-ups are a must for the game to become manageable. On the Master System, R-Type still poses a nice challenge due to these features and also the dreaded checkpoint system. However, unlike the arcade game, it doesn’t become impossible if you die in later stages, and it does run slightly slower in certain parts. It’s decidedly great fun, even more so when you consider the potential for a letdown caused by the huge amounts of flicker throughout the game, the only real glaring flaw in a port that preserves almost everything from the original. The flicker is annoying at first, but after a while you don't care about it anymore because the game just sucks you in completely.

Secret area accessed from stage 4, with some mad dodging skills at the boss!
(courtesy of YouTube user talbot1939)

What was left out in the conversion? The beam charge gauge is gone, as well as the permanent display for score and lives. You’re only allowed to see your score/lives in between stages and during the GAME OVER screen. The good news is that Sega was kind enough to add a completely new half-stage to the port, accessible through a secret passage in the last section of the 4th stage's destructible bits. If you take the passage you'll be able to play against a completely new set of enemies and a totally different boss. Don't mind trying again if you die in there, the passage only works once per loop.
Speaking of loops, there are two of them, just like in the original arcade game. Extra lives are awarded when you reach some score milestones (50.000, 150.000, 250.000, 400.000 points, etc.), which surely helps go the distance. The ending is just the same the second time around, but it doesn't take away from the fact that R-Type is a highlight of the Master System shmup library. An with an exclusive extra stage to boot!

My intention when replaying this port was to top my previous high score, but somewhere along the way I noticed it was feasible to go for the 2-ALL. Things turned out better than I expected, and I was able to complete both loops without dying. The improvement in the score was around 35%.